Reviewed by Shami Ghosh (School of Historical Studies, University of Leicester) Published on H-German (February, ) Commissioned by Susan R. Boettcher The World of the Nibelungs Revisited Most readers of the title of this review might as- manuscripts, of which the earliest dates to the mid- sume the book reviewed treats Richard Wagner, a thirteenth century, and the manuscript survivals and fact that . · I recommend this book to all students of German medieval studies. Christopher M. Stevens The University of California, Los Angeles Rules for the Endgame: The World of the Nibelungenlied. By Jan-Dirk Müller, translated from the German by William T. Whobrey. Baltimore: The Johns Hopkins University Press, Pp. $ In Rules for the Endgame Jan-Dirk Müller argues that the literary reception of the Nibelungenlied was problematic long before the modern era. Here Müller uncovers the complex and heterogeneous cultural context from which the poem emerged/5(4).
Rules for the Endgame: The World of the Nibelungenlied. Johns Hopkins University Press. Translation of Spielregeln für den Untergang: Die Welt des Nibelungenlieds, Jan-Dirk Müller (Tübingen: Niemeyer, ). Observations of Modernity. Stanford Press. Translation of Beobachtungen der Moderne, Niklas Luhmann (Opladen: Westdeutscher Verlag, ). Rules for the Endgame: The World of the Nibelungenlied. By Jan-Dirk M?l ler, translated from the German by William T. Whobrey. Baltimore: The Johns Hopkins University Press, Pp. $ The original of this translation appeared under the title Spielregeln f?r den Unter gang. kulturwissenschaftlich angeleiteten Mediävistik. Hg. v. Jan-Dirk Müller unter Mitarbeit von Elisabeth Müller-Luckner (Schriften des Historischen Kollegs, Kolloquien 64), München 25) Rules for the endgame. The world of the Nibelungenlied. Translated by William T. Whobrey, Baltimore 26) Höfische Kompromisse.
In Rules for the Endgame Jan-Dirk Muller argues that the literary reception of the Nibelungenlied was problematic long before the modern era. Here Muller uncovers the complex and heterogeneous cultural context from which the poem emerged. In Rules for the Endgame Jan-Dirk Müller argues that the literary reception of the Nibelungenlied was problematic long before the modern era. Here Müller uncovers the complex and heterogeneous cultural context from which the poem emerged. Rules for the Endgame: The World of the Nibelungenlied (Parallax: Re-visions of Culture and Society) by Jan-Dirk Müller and William T. Whobrey | out of 5 stars 3.
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